George Clinton & Parliament Funkadelic
Per New York City’s new guidance, beginning August 13 Sony Hall will be requiring all guests, staff & musicians to have received at least one dose of a coronavirus vaccine to enter.
Proof of vaccination may include your physical CDC card, photo of your CDC card, NYC Covid Safe App, or the NYS Excelsior Pass. Children under 12 – who cannot be vaccinated – must wear masks.
In addition to the vaccination policy, New York City continues to encourage masks for all indoor gatherings, except while you are actively eating and drinking.
General Admission – Standing Room
• $49.50 Advance / $60 Day of Show
• Limited Seating Available First Come, First Served
VIP Side Wing Seating
• $100 Advance/ $110 Day of Show
• Includes Guaranteed Seating in Designated Section
• Full Dinner Menu Available
• All Ages
About George Clinton
Recording both as Parliament and Funkadelic, George Clinton revolutionized R&B during the ’70s, twisting soul music into funk by adding influences from several late-’60s acid heroes: Jimi Hendrix, Frank Zappa, and Sly Stone.
The Parliament/Funkadelic machine ruled black music during the ’70s, capturing over 40 R&B hit singles (including three number ones) and recording three platinum albums. Born in Kannapolis, NC, on July 22, 1941, Clinton became interested in doo wop while living in New Jersey during the early ’50s. . Basing his group on Frankie Lymon & the Teenagers, Clinton formed The Parliaments in 1955, rehearsing in the back room of a Plainfield barbershop where he straightened hair. The Parliaments released only two singles during the next ten years, but frequent trips to Detroit during the mid-’60s – where Clinton began working as a songwriter and producer – eventually paid off their investment.
The Parliaments finally had a hit with the 1967 single “(I Wanna) Testify” for the Detroit- based Revilot Records, but the label ran into trouble and Clinton refused to record any new material. Instead of waiting for a settlement, Clinton decided to record the same band under a new name: Funkadelic. Founded in 1968, the group began life as a smoke screen, claiming as its only members the Parliaments’ backing but in truth including Clinton and the rest of the former Parliaments lineup. Revilot folded not long after, with the label’s existing contracts sold to Atlantic; Clinton, however, decided to abandon the Parliaments name rather than record for the major label.
By 1970, George Clinton had regained the rights to The Parliaments name: he then signed the entire Funkadelic lineup toInvictus Records as Parliament. The group released one album – 1970′s Osmium – and scored a number 30 hit, “The Breakdown,” on the R&B charts in 1971. With Funkadelic firing on all cylinders, however, Clinton decided to discontinue Parliament (the name, not the band) for the time being.
Inspired by Motown‘s assembly line of sound, George Clinton gradually put together a collective of over 50 musicians and recorded the ensemble during the ’70s bothas Parliament and Funkadelic. While Funkadelic pursued band-format psychedelic rock, Parliament engaged in a funk free-for-all, blending influences from the godfathers (James Brown and Sly Stone) with freaky costumes and themes inspired by ’60s acid culture and science fiction.